9 September 2023
We hosted two, day-long, sessions of this live music event, a collaboration with Crescent Records in their beautiful recording space in Swindon. This was similar to our Musical Event No 6 but with longer, more relaxed, sessions and with the addition of Fleur Stephenson on vocals to the trio led by Pete Billington. We heard various arrangements of tunes that were recorded by Damon Sawyer, Crescent Records recording engineer. Over the course of the two days, several tracks were recorded, which included a couple of a retakes to some, which we are likely to include on the final CD to show the organic evolution of a particular musical arrangement. A trio consisting of piano, acoustic bass (this time being the acclaimed Alec Dankworth), and drums was chosen, as these instruments cover a wide range of the audible spectrum we listen to. For this event, Fleur Stephenson a very fine jazz vocalist to the mix gave an extra dimension and interest. Damon took a lot of care pre-setting some of the microphones prior to our sessions and explained in some detail how he had selected the different microphones for each application, including ambient microphones. The majority were used on the drums, with just a stereo pair on the piano and single microphone for the upright bass. A very fine valve microphone was used for the vocals. Damon further explained his method of placing microphones, recording, blending, and mastering based on his long experience in the industry, The principal aim being to capture the individual instruments as realistically and as naturally as possible. He explained how he records t PCM 384 kHz/24 bit, controls factors such as audio spill, includes room ambience during the recording, and the EQ and compression techniques he needs to employ in post-production to balance the instruments and in this case, the singer. To be clear, this was a recording session, rather than a live ‘gig’. This was interesting, as Fleur’s projection was nuanced but very quiet. She could hardly be heard in the recording space itself but could be clearly heard in the mixing suite. This gave a great insight into the recording process.